Відео

Can't the magnetic bit of your screwdriver mess-up the magnetic medium your working with?

🇯🇵日本人です*\(^o^)/*これは、 アナログシーケンサー🎉ですね

super helpful video-- thank you!

Your voice sounds like Chris Issak...

Thanks man!

Beautiful

Do you know if the mixer of your tascam model sounds the same as the one on the mk3? Same pre's? Wich one do you think sounds better in the mixer section for saturation?

Wow

Rad

Great video!

@7:57 i fly like paper get high like planes, something somethin shomethin i got visas in my name

Bro you know I love everything you do I purchased the TC electronic flashback in Hall of Fame I'm going to hook it up to my hydrasynth. I'm also thinking of getting a tape machine

Man what is that machine?!

One question for my understanding: The Microcosm modulates all tracks, so also the drums right?

Its like tuning an old radio in! Brilliant for FX!!!! I need one right now!

wonderful ❤

Is there any lag when the aux cable is plugged in?

This is awesome! so the tascam is playing the pads and the hedra can effectively arpeggiate using the notes in the pad chords?

I just got a used Slö . This is amazing

Out of the hundreds of digitak videos I’ve seen, your fingers slap trigs the hardest. :)

Your voice is too loud in the mix. Do you want us to hear the synth?

Awesome

How did you record to your interface and preserve the stereo mix? Don’t most interfaces just have a mono input?

I can't seem to find this info anywhere but, doers anyone know how to connect an Arturia MiniLab to effect pedals? it only has a usb output.

I'm amazed by the endless "repurposing" of this old tech. All I did was write, arrange & record songs with my 424 ...little did I know. 😉

I didn't realize there were 4 tracks with that much control. That's almost all of what I was looking for for a project I have in mind.

was listening last night! so rich, so thoughtful, so ecstatic. thank you for it

#2 is such a beautiful looking cassette player. Sounds great too.

You mentioned that it introduces 19 milliseconds of latency. Wouldn't that be automatically compensated by Ableton or do I have to manually compensate?

what's the gear used in the last one?

It’s been a while but, any thoughts on a 488 for tape loops?

Incredible. Subscribed.

Do you know if the 414 have the same mixer saturation of the 424 mkiii? It looks basically just like a stripped down 424 mkiii

from nothing to something!

How are you using the circuit tracks with effects/pedals?

The Octave knob only controls what's played on the volca keyboard, same as the vbass.

super tight.

How would you say Float compares to the DT's built-in filters, and how much additional power comes from the combo? I've come back to this so many times, and now looking for a nice filter/saturated verb to stack over delay. Same plans to use with DT!

Precious!

This is cool! I have a few tape reel and tape casette enulstions, going to pick this up as a backup since i have max4live

You are living proof that it's not about the price of the gear, but the mindset and skill of the musician finding what is musical within any gear. Amazing.

How do you go about noise reduction from these machines in post productions? Great output, your work is WAY more listenable than my tape experiments without me EQing hiss for days. Keep up the awesome work!

Loving your work!

Amazing tutorial (and congrats for your album Refract, Tape Loops CI and III and D are out of this world imao). I'm a total novice regarding Tape Loops, but am now considering getting a PS424 (thanks for the inspiration). I have two or three (beginner) questions: 1) with a single effect pedal routed though effect send --> pedal in --> pedal out --> line 5-6 with assign on Cue, would the four knobs of the Tape Cue panel allow to send more or less effect to each of the four tracks (like for example none to track 1, full blast to track 2, medium to track 3 and 4)? 2) When using as overall output the Stereo or Individual four tracks' ports at the back, instead of the Phones output, would the effects added (cf. point 1)) be heard as well? And final basic question ... 3) Could you use two (or even more) effect pedals by cabling the effect send toward two (ore more) pedals and routing back Pedal One to Line 5-6 and Pedal Two to Line 7-8? In that configuration, would assigning both Line 5-6 and Line 7-8 to Cue send a 'Mix' of effects One and Two to the tracks that we choose in the Tape Cue panel? And alternatively, would there be a routing allowing to send Effect One to for example Tracks 1 and 2, and Effect Two to let's say Track 3 and not Track 4? Sending a Pedal Three effect back in the Track 4 MicLine could work too, right, but how then could you assign that third effect to Tracks 1-3 individually? I know the beauty is to keep it simple (more effects doesn't mean better music) but it's always nice to know where the boundaries are. Keep up the great work :)

do you need to record on the loop before or after doing the tape loop itself ?

Mono?

Did you make the presets?

Love the obvious looping point and making that part of the composition. The piece oozes nostalgia.

5 cm = 1 seg

What’s so lovely? Sound quality? Cute little wave? Overall look? Can you change the sound coming out of it?